Alone in 1000 Square Feet, Update

Alone in 1000 Square Feet is an ongoing project, adding one or more new photos every week.

For those new to this series, there are only two guidelines: only I can be in the photo and they must all be captured in my apartment, common area or basement. Using these restrictions I’ve created six characters:

The Turbulent Mob Associate

The Clever Spy

The Distressed Burglar

The Afflicted War Veteran

The Flamboyant Detective

The Brilliant Psychopath

So far there’s been overlap through conflict, time and chance… but everybody’s still alive…

L’Meese then and now

I’ve already had a stellar photo career with many great experiences. Along the way I’ve worked with some wonderful people. On occasion I’m lucky enough to work with the same subject at yearly intervals. Such is the case with L’Meese.

I first worked with her in 2008 when I exhibited in a two-person show with renowned fashion photographer Stan Malinowski in Chicago. From Fantasy to Fashion drew an incredible crowd of collectors and I was proud to show my interpretation of fashion photography with Stan’s photographs for such publications as Harper’s Bazaar, Vogue and Playboy. From Janice Dickinson to Iman in Valentino’s atelier, it was a smashing success. More of Stan’s work can be seen here.

Catalog page from the exhibit. Images by Stan Malinowski.

Catalog page from the exhibit. Images by Nick Azzaro.

From left, Stan Malinowski taking a picture while I look on with Victor Skrebneski and his colleague. Photo by Art Azzaro.

I showed new work, inspired by Stan’s big budget shoots of yesteryear. L’Meese’s portrait below was included in the exhibit.

I recently had the chance to work with L’Meese again, this time in Ann Arbor. The only thing that’s changed is her elevated level of experience.

Nia Sees the Light.

Nia is a model that’s well ahead of the game and a fabulous person to work with. That’s what allowed us to be more creative during our shoot. Not only did she own the in studio strobe sets with her many looks, but she handled daylight and lengthy fluorescent bulb exposures with the same style and grace.

Below are two looks from two different strobe sets:

In the sun, she shines:

Even a one second exposure. No problem:

Thank you, Nia.

 

 

 

Alone in 1000 Square Feet, Set 1

It was 6:56pm on the evening of August 15 when the flamboyant detective understood this was no ordinary murder scene.

At the same time across town the afflicted war veteran was having realizations of his own…

While his friend, the turbulent mob associate, was in the middle of a very important business deal.

The details from that transaction made no difference to the occupant of the residence one house to the south. The distressed burglar was hard at work, reaping what he could as his window was closing fast…

But not as fast as the clever spy’s.

“What’s the hurry”, said the brilliant psychopath to himself in the mirror of an apartment he had entered only once before.

The following day was spent analyzing images and materials taken from the gruesome display by the flamboyant detective.

And breakfast was ruined for two nameless thugs by an unannounced visit from the turbulent mob associate.

But the thugs had it easy compared to the clever spy, who withstood a night of interrogation and still maintained his cover.

Another day, another “…fuck it”, said the afflicted war veteran.

“50/50.” No matter how prepared, the distressed burglar knows there’s a fifty-fifty chance things could go wrong during any break in.

“Are you certain get the fuck out of here are the last words you’d ever like to say?” asked the brilliant psychopath.

A broken vase. A sideways chair. That was the extent of the mess made when the clever spy broke free and overtook his captors.

The minutes felt like hours as the flamboyant detective tried to comprehend what had taken place in the crimson apartment. “Could a human have done this?”

Some have no conscience.

Others remember all too well.

Some like to talk.

Others prefer the quiet.

Studio Lighting Tips

There are two studio lighting setups that tend to appear in ads today. By no means are they new, but they’ll never go out of style. Both place the model on a white background, but the first only uses one light, causing a shadow and making the background go gray, while the other uses three lights creating an “infinity” look. Below are diagrams and samples of how to achieve each.

Simple, one light setup.

The result.

Three light setup, removing the environment.

The result.